Kis Kisko Pyaar Karoon 2 Review – Loud Laughter, Old Formula: A Balanced 2025 Reality Check I’ve seen enough Bollywood comedies rise, age, and repeat themselves to know when a film is self-aware about its limitations. Kis Kisko Pyaar Karoon 2 knows exactly what it is — a familiar chaos-comedy banking on Kapil Sharma’s screen…
Rachel (2025) Review – A Gritty Female-Led Revenge Tale That Splits Opinion Having followed Malayalam cinema closely for nearly two decades, I walked into Rachel knowing it wouldn’t be a crowd-pleaser in the traditional sense. What it offers instead is a restrained, character-first revenge drama that tries to balance emotional weight with raw brutality. Quick…
Bha Bha Ba Review – Loud, Colourful, Conflicted: Where This 2025 Malayalam Entertainer Truly Lands I walked into Bha Bha Ba with cautious curiosity. After 18+ years of tracking Malayalam cinema trends, I’ve learned that festive action-comedies often promise the world but deliver mixed plates. This one sits right in that tricky middle—neither a clean…
Mowgli (2025) Review – Honest, Earnest, but Emotionally Stretched Having watched and reviewed Telugu cinema through multiple creative waves, I walked into Mowgli with balanced expectations — hoping for emotional depth, but aware of the risks that come with familiar storytelling. Quick Gist: An orphan in a forest village dreams of becoming a police officer,…
Kalamkaval 2025 Review – A Balanced Look at Mammootty’s Cop Thriller Triumph After 18+ years of critiquing Indian cinema, I’ve learned that the best thrillers balance grit with nuance. Kalamkaval delivers precisely that, blending procedural tension, strong performances, and technical finesse, while occasionally faltering in pacing and narrative focus. It’s a must-watch for both casual…
Om Shanti Shanti Shantihi Review – A.R. Sajeev’s Debut Vision: Bold Rural Satire or Risky Reinvention? Watching a debut director reinterpret a beloved story is always a high-stakes gamble, especially in Telugu cinema where rural comedies live or die by authenticity. A.R. Sajeev steps into the 2025–2026 director spotlight with Om Shanti Shanti Shantihi, carrying…
Akhanda 2: Thaandavam Review – Boyapati Sreenu’s Divine Blueprint: Visionary Thunder or Familiar Fireworks? Personal lens: When Boyapati Sreenu announces a Balakrishna film, expectations aren’t modest—they’re seismic. With Akhanda 2: Thaandavam, the director doubles down on his reputation for thunderous mass cinema fused with devotion. The question isn’t scale anymore; it’s whether Boyapati evolves the…
Mark (2025) Director’s Vision Review – Vijay Karthikeyan’s Mass Blueprint: Controlled Chaos or Calculated Craft? I’ve tracked directors who bet big on scale, and Vijay Karthikeyan clearly swings for the fences here. With Mark, he leans into festive timing, pan-India ambition, and a star-centric grammar that speaks directly to theatres craving whistles. This isn’t timid…
Mrs. Deshpande Review – Nagesh Kukunoor’s Boldest Gamble Yet or a Controlled Creative Strike? I’ve followed Nagesh Kukunoor’s career arc since his early, intimate dramas, and seeing his name attached to a psychological crime thriller instantly set expectations. Add Madhuri Dixit stepping into morally dark territory, and this became one of the most talked-about 2025…
Gurram Paapi Reddy Review – Murali Manohar Reddy’s Vision Tested on Dusty Tracks: Bold Step or Safe Ride? I’ve followed Murali Manohar Reddy’s journey with curiosity, especially how he balances rooted stories with mass appeal. With Gurram Paapi Reddy, expectations were high — not because of scale, but because horse racing as a rural Telugu…